Interviews with writers, journalists, filmmakers, and podcasters about how they do their work. Hosted by Aaron Lammer, Max Linsky, and Evan Ratliff.

Lindsay Peoples is the editor-in-chief of The Cut.
“You see so many incredible people make one mistake and lose their job or they speak out about something and then the next day something blows up. And so I do think that I often feel like I have to be so careful. And that's hard to do because I'm just naturally curious and I want to know and I want to find and explore and do the things. But I'm aware that … people think I'm too young. I'm too Black. I'm aware of all those things and I'm still going to try.”
Show notes:

01:00 "Everywhere and Nowhere: What It’s Really Like to Be Black and Work in Fashion" (The Cut • Aug 2018)

09:00 The Devil Wears Prada (Fox 2000 Pictures • 2006)

29:00 David Haskell on Longform Podcast


31:00 "Should I Leave My Husband? The Lure of Divorce" (Emily Gould • The Cut • Feb 2024)

31:00 "The Day I Put $50,000 in a Shoe Box and Handed It to a Stranger" (Charlotte Cowles • The Cut • Feb 2024)

31:00 "Age Gap Relationships: The Case for Marrying an Older Man" (Grazie Sophia Christie • The Cut • Mar 2024)

50:00 "Is There Room for Fashion Criticism in a Racist Industry?" (The Cut • Aug 2021)


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Longform

Episode 576: Lindsay Peoples

Jason Motlagh, a journalist and filmmaker, is a contributing editor at Rolling Stone and the founder of Blackbeard Films. He won the Polk's Sydney Schanberg Prize for “This Will End in Blood and Ashes,” an account of the collapse of order in Haiti.
“Once you've gotten used to this kind of metabolism, it can be hard to walk away from it. Ordinary life can be a little flat sometimes. And so that's always kind of built in. I accept that. I think I've just tried to be more honest about like, [am I taking this risk] because I need a bump my life? Or do you really believe in what you're doing? And I feel like I really do need to believe in the purpose of the story. There has to be some motivation greater than myself."
This is the last in a series of conversations with winners of this year's George Polk Awards in Journalism.
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Polk Award Winners: Jason Motlagh

Brian Howey is a freelance journalist who won the Polk Award for Justice Reporting after exposing a deceptive police tactic widely used in California. He began the project, which was eventually published by the Los Angeles Times and Reveal, as a graduate student in the UC Berkeley Graduate School of Journalism.
“It’s one thing to hear about this tactic and hear about parents being questioned in this way. It’s another thing entirely to hear the change in a parent’s voice when they realize for the past 20 minutes they’ve been speaking ill of a relative who’s actually been dead the entire time, and to hear that wave of grief and sometimes that feeling of betrayal that cropped up in their voice and how the way that they spoke to the officers afterwards changed.”
This is the fourth in a week-long series of conversations with winners of this year's George Polk Awards in Journalism.
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Polk Award Winners: Brian Howey

Meribah Knight is a reporter with Nashville Public Radio. She won the Polk Award for Podcasting for “The Kids of Rutherford County,” produced with ProPublica and Serial, which revealed a shocking approach to juvenile discipline in one Tennessee county.
“Where does it leave me? It leaves me with a searing anger that is going to propel me to the next thing. But we’ve made some real improvement. And that’s worth celebrating. That’s worth recognizing and saying, This work matters, people are paying attention.”
This is the third in a week-long series of conversations with winners of this year's George Polk Awards in Journalism.
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Longform

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