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Magazines have fallen on hard times – especially the weekly news, fashion, and celebrity mags that once dominated newsstands. The revenue from magazine racks has plummeted in recent years, and many magazines have stopped appearing in print or shut down altogether.
And yet, there is something growing in the checkout aisle: one-off publications, each devoted to a single topic, known as “bookazines.” Last year, over 1,200 different bookazines went on sale across the country. They cover topics ranging from Taylor Swift, Star Wars, the Kennedy assassination, K-pop, the British royal family, and as host Willa Paskin recently observed, the career of retired movie star Robert Redford.
In today’s episode, Willa looks behind the racks to investigate this new-ish format. Who is writing, publishing, and reading all these one-off magazines – and why? Is the bookazine a way forward for magazines, or their last gasp?
Voices you’ll hear in this episode include Caragh Donley, longtime magazine journalist turned prolific writer of bookazines; Eric Szegda, executive at bookazine publisher a360 media; and Erik Radvon, comic book creator and bookazine fan.
This episode was produced by Max Freedman and edited by Evan Chung, who produce the show with Katie Shepherd. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director.
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Slate Culture

Decoder Ring: Can the “Bookazine” Save Magazines?

Cover songs once had a simple playbook: Artists would faithfully rerecord a song—note for note and word for word. They might modernize the instrumentation. If they were feeling radical, they’d punch up the vocals a bit.

Now it’s hard to say what a cover is anymore. If Ariana Grande turns “My Favorite Things” into “7 Rings,” does that qualify? When Drake says he’s “Way 2 Sexy,” is he covering Right Said Fred?

The recent chart success of “Fast Car”—country star Luke Combs’ very traditional take on Tracy Chapman’s folk classic—has reinvigorated interest in cover songs. Sometimes, isn’t just remaking the song as-is enough?

Join Chris Molanphy as he explains the chart considerations and artistic motivations that rebooted the cover song, and whether a straight-up remake will ever top the Hot 100 again. We’re long past the days of “Twist and Shout,” “Venus” and “I’ll Be There.”

Podcast production by Olivia Briley.
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Hit Parade: Gotcha Covered Edition Part 2

In this episode, Trace Lysette (Transparent, Hustlers) talks about her critically acclaimed film Monica, with Jules. The film tells the story of a trans woman returning home after decades of estrangement from her dying mother, and was the first-ever film led by an out trans actor to debut at the Venice Film Festival. Jules talks to Trace about the layers of her performance and the rollercoaster experience of making and campaigning the film.
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Outward: Trace Lysette on the Hollywood Rollercoaster

This week, we’re sharing more of our interview with Trans rights activist and ACLU Lawyer Chase Strangio. In this episode, Bryand and Jules ask Chase about his recent New York Times op-ed Trans Visibility Is Nice. Safety Is Even Better. They also talk about how hyper-visibility does not equate safety, and what we all risk losing when we lose trans rights. 
Email us at outwardpod@slate.com
Podcast production by Palace Shaw. 
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